Monday, December 14, 2009
Types of Relief Art Sculptures
There are three main types of relief. The drawing of the distinction between high and low is often drawn differently, and in fact the two are very often combined in a single work - in particular most "high-reliefs" contain sections in "low-relief". Dashes may or may not be used in all these terms.
Bas-relief or low relief
A bas-relief ("low relief", French pronunciation: from the Italian basso rilievo) or low relief is the quality of a projecting image where the overall depth is shallow. The background is very compressed or completely flat, as on most coins, on which all images are in low-relief.
Lorenzo Ghiberti's gilded bronze "Doors of Paradise", Baptistery, Florence combine high relief main figures with backgrounds mostly in low relief.Bas-relief is very suitable for scenes with many figures and other elements such as a landscape or architectural background. A bas-relief may use any medium or technique of sculpture, but stone carving and metal casting are the traditional ones. If more than 50% of most rounded or cylindrical elements such as heads and legs project from the background, a sculpture is usually considered to be "alto rilievo" or "high relief", although the degree of relief within both types may vary across a composition, with prominent features such as faces in higher relief.
High relief
High relief (or alto relievo, from Italian) is where the most prominent elements of the composition are undercut and rendered at more than 50% in the round against the background.
All cultures and periods where large sculptures were created used this technique as one of their sculptural options. Seen in "monumental sculpture" and architecture from ancient times to present.
Sunken relief
Sunken-relief depiction of Pharaoh Akhenaten with his wife Nefertiti and daughters. Note how strong shadows are needed to define the image.Sunken-relief, also known as intaglio or hollow-relief, is where the image is made by carving into a flat surface - usually the images are mostly linear in nature. It is most notably associated with the Art of Ancient Egypt, where the strong sunlight usually needed to make the technique successful for images is present most of the time. In the sculpture of many cultures, including Europe, it is mostly used for inscriptions and engraved gems - the most likely meaning for "an intaglio
Labels:
High Relief,
low relief,
Relief sculpture
Friday, November 27, 2009
Definition
Sculpture 1 Definition: The art of carving, cutting, or hewing wood, stone,metal,etc., into statues, ornaments, etc., or into figures, as of men, or other things; hence, the art of producing figures and groups, whether in plastic or hard materials.
Sculpture 2 Definition: Carved work modeled of, or cut upon, wood, stone, metal, etc.
Sculpture 3 Definition: To form with the chisel on, in, or from, wood, stone, or metal; to carve; to engrave.
sculpture 4 Definition: creating figures or designs in three dimensions
sculpture 5 Definition: a three-dimensional work of plastic art
sculpture 6 Definition: shape (a material like stone or wood) by whittling away at it; "She is sculpting the block of marble into an image of her husband"
sculpture 7 Definition: create by shaping stone or wood or any other hard material; "sculpt a swan out of a block of ice"
Sculpture 2 Definition: Carved work modeled of, or cut upon, wood, stone, metal, etc.
Sculpture 3 Definition: To form with the chisel on, in, or from, wood, stone, or metal; to carve; to engrave.
sculpture 4 Definition: creating figures or designs in three dimensions
sculpture 5 Definition: a three-dimensional work of plastic art
sculpture 6 Definition: shape (a material like stone or wood) by whittling away at it; "She is sculpting the block of marble into an image of her husband"
sculpture 7 Definition: create by shaping stone or wood or any other hard material; "sculpt a swan out of a block of ice"
Labels:
ice marble,
metal,
stone,
wood
Tuesday, November 24, 2009
What is Sculpture ?
Sculpture is three-dimensional artwork created by shaping or combining hard, plastic material, sound, text, light, commonly stone (either rock or marble), metal, glass, or wood. Some sculptures are created directly by finding or carving; others are assembled, built together and fired, welded, molded, or cast. Sculptures are often painted.[1]
Because sculpture involves the use of materials that can be moulded or modulated, it is considered one of the plastic arts. The majority of public art is sculpture. Many sculptures together in a garden setting may be referred to as a sculpture garden.
Types of sculpture
Some common forms of sculpture are:
Free-standing sculpture, sculpture that is surrounded on all sides, except the base, by space. It is also known as sculpture "in the round", and is meant to be viewed from any angle.
Sound sculpture
Light sculpture
Jewelery
Relief - the sculpture is still attached to a background; types are bas-relief, alto-relievo, and sunken-relief
Site-specific art
Kinetic sculpture - involves aspects of physical motion
Fountain - the sculpture is designed with moving water
Mobile (see also Calder's Stabiles.)
Statue - representationalist sculpture depicting a specific entity, usually a person, event, animal or object
Bust - representation of a person from the chest up
Equestrian statue - typically showing a significant person on horseback
Stacked art - a form of sculpture formed by assembling objects and 'stacking' them
Architectural sculpture
Because sculpture involves the use of materials that can be moulded or modulated, it is considered one of the plastic arts. The majority of public art is sculpture. Many sculptures together in a garden setting may be referred to as a sculpture garden.
Types of sculpture
Some common forms of sculpture are:
Free-standing sculpture, sculpture that is surrounded on all sides, except the base, by space. It is also known as sculpture "in the round", and is meant to be viewed from any angle.
Sound sculpture
Light sculpture
Jewelery
Relief - the sculpture is still attached to a background; types are bas-relief, alto-relievo, and sunken-relief
Site-specific art
Kinetic sculpture - involves aspects of physical motion
Fountain - the sculpture is designed with moving water
Mobile (see also Calder's Stabiles.)
Statue - representationalist sculpture depicting a specific entity, usually a person, event, animal or object
Bust - representation of a person from the chest up
Equestrian statue - typically showing a significant person on horseback
Stacked art - a form of sculpture formed by assembling objects and 'stacking' them
Architectural sculpture
Saturday, November 21, 2009
Bull sculpture Ahmedabad Gujarat India
Bull sculpture in Sardar patel Motera crivket stadium Ahmedabad Gujarat India. Children are playing over this sculpture having great fun. This sculpture is created using stell parts connected in a shape - exclusive photos by japan pathak
Labels:
Bull Sculpture,
sculpture Ahmedabad
Saturday, November 7, 2009
Olympic Sculpture Park
The Olympic Sculpture Park has transformed a nine-acre industrial site into open and vibrant green space for art. This new waterfront park gives Seattle residents and visitors the opportunity to experience a variety of sculpture in an outdoor setting, while enjoying the incredible views and beauty of the Olympic Mountains and Puget Sound. Admission is free.
Labels:
Olympic Park,
Seattle,
world best sculptures
Art History
Art history as we know it today began in the nineteenth century but has precedents dating to the ancient world. Like the analysis of historical trends in politics, literature, and the sciences, the discipline benefits from the clarity and portability of the written word, but art historians also rely on formal analysis, semiotics, psychoanalysis and iconography. Advances in photographic reproduction and printing techniques after World War II increased the ability of reproductions of artworks. Such technologies have helped to advance the discipline in profound ways, as they have enabled easy comparisons of objects. The study of visual art thus described, can be a practice that involves understandingcontext, form, and social significance.
History Of Art
This article is about the academic discipline of art history. For an overview of the history of art worldwide, see History of art.
Venus de Milo on display at the Louvre
Art history has historically been understood as the academic study of objects of art in their historical development and stylistic contexts, i.e. genre, design, format, and look.
(1) This includes the "major" arts of painting, sculpture, and architecture as well as the "minor" arts of ceramics, furniture, and other decorative objects. The historical backbone of the discipline is a celebratory chronology of beautiful creations funded by upper class men in western Europe. Such a "canon" remains prominent, as indicated by the selection of objects present in art history textbooks. Nonetheless, since the mid-20th century there has been an effort to re-define the discipline to be more inclusive of non-Western art, art made by women, and vernacular creativity.
As a term, Art history (also history of art) encompasses several methods of studying the visual arts; in common usage referring to works of art and architecture. Aspects of the discipline overlap. As the art historian Ernst Gombrich once observed, "the field of art history [is] much like Caesar's Gaul, divided in three parts inhabited by three different, though not necessarily hostile tribes: (i) the connoisseurs, (ii) the critics, and (iii) the academic art historians".
As a discipline, art history is distinguished from art criticism, which is concerned with establishing a relative artistic value upon individual works with respect to others of comparable style, or sanctioning an entire style or movement; and art theory or "philosophy of art", which is concerned with the fundamental nature of art. One branch of this area of study is aesthetics, which includes investigating the enigma of the sublime and determining the essence of beauty. Technically, art history is not these things, because the art historian uses historical method to answer the questions:
did the artist come to create the work?
Who were the patrons? Who were his or her teachers?
Who was the audience?
Who were his or her disciples?
What historical forces shaped the artist's oeuvre, and How did he or she and the creation, in turn, affect the course of artistic, political, and social events?
This is not to say that art history is only a biographical endeavor. In fact, art historians often root their studies in the close scrutiny of individual objects. They thus attempt to answer in historically specific ways, questions such as: What are key features of this style?, What meaning did this object convey?, How does it function visually?, Did the artist meet their goals well?, What symbols are involved?, and Does it function discursively?
Venus de Milo on display at the Louvre
Art history has historically been understood as the academic study of objects of art in their historical development and stylistic contexts, i.e. genre, design, format, and look.
(1) This includes the "major" arts of painting, sculpture, and architecture as well as the "minor" arts of ceramics, furniture, and other decorative objects. The historical backbone of the discipline is a celebratory chronology of beautiful creations funded by upper class men in western Europe. Such a "canon" remains prominent, as indicated by the selection of objects present in art history textbooks. Nonetheless, since the mid-20th century there has been an effort to re-define the discipline to be more inclusive of non-Western art, art made by women, and vernacular creativity.
As a term, Art history (also history of art) encompasses several methods of studying the visual arts; in common usage referring to works of art and architecture. Aspects of the discipline overlap. As the art historian Ernst Gombrich once observed, "the field of art history [is] much like Caesar's Gaul, divided in three parts inhabited by three different, though not necessarily hostile tribes: (i) the connoisseurs, (ii) the critics, and (iii) the academic art historians".
As a discipline, art history is distinguished from art criticism, which is concerned with establishing a relative artistic value upon individual works with respect to others of comparable style, or sanctioning an entire style or movement; and art theory or "philosophy of art", which is concerned with the fundamental nature of art. One branch of this area of study is aesthetics, which includes investigating the enigma of the sublime and determining the essence of beauty. Technically, art history is not these things, because the art historian uses historical method to answer the questions:
did the artist come to create the work?
Who were the patrons? Who were his or her teachers?
Who was the audience?
Who were his or her disciples?
What historical forces shaped the artist's oeuvre, and How did he or she and the creation, in turn, affect the course of artistic, political, and social events?
This is not to say that art history is only a biographical endeavor. In fact, art historians often root their studies in the close scrutiny of individual objects. They thus attempt to answer in historically specific ways, questions such as: What are key features of this style?, What meaning did this object convey?, How does it function visually?, Did the artist meet their goals well?, What symbols are involved?, and Does it function discursively?
Labels:
historicall Art of painting,
Sculpture
Wednesday, October 28, 2009
What is Clay Modeling?
Making clay models is an easy and inexpensive hobby for kids or adults. The resulting models can be used in clay animation (claymation), or simply for entertainment value. Make clay models of yourself, your friends, your enemies, your pets, or your family using the simple method outlined in this tutorial.
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